a) Basic solution: the most basic solution is to rename the .MOD files manually into .MPG files and then to make sure that the video program you import these files into is set properly relative to the video standard used (PAL or NTSC), the aspect ratio used, and the interlacing.
b) If your .MOD files were recorded in 4:3 format then just rename them to .MPG. If they are 16:9 widescreen then you could use sdcopy.exe to convert them.
c) To correctly edit .MPG video files it is recommended that you utilize software that supports "smart-rendering" otherwise the resulting video quality may degrade too much.
d) Recommended MPEG-2 video editing tools I have seen posted online are Magix, Womble Video Wizard or Ulead Videostudio.
e) SDCopy converts your .MOD files, renames them to .MPG and fixes the widescreen tags issue.
f) The problem with these these tags stems from the fact that they are being stored in associated small text files with the extension .MOI. Once you separate the .MOD file from its companion .MOI file the video software you use to open the video file doesn't know anymore what aspect ratio and video file format is being used and tries to guess automatically.
g) Another solution is to utilize DVD Patcher (which is free) to fix the file header and read 16:9 and 720x480.
Also keep in mind that most new camcorders come equipped with some software which generally provides the capability to convert .MOD files into other formats in a simple way. Canon provides ImageMixer which can do this, and JVC camcorders owners can use for example Cyberlink PowerDirector which comes free with their video-cameras.
VLC
When using VLC, you can change a few settings and get the best results. Check these:
Video -> Aspect Ratio -> 16:9 (or 4:3 depending on the clip)
Video -> Deinterlace -> Blend
Adobe Premiere
If you are using Premiere and are having problems seeing the clips in the correct aspect ratio, use mpeg streamclip or a similar tool to transcode the clips into another video format and then import them into Premiere.
Also I have read somebody saying that whenever you import the clip into Premiere, by default the widescreen flag is not correct. The sugestion is simply to right-click on the imported video file, and to select "Reinterpret Footage" and make the selection from there. It should work fine.
Check also DIY guide on how to use .MOD files with Adobe Premiere Pro.
a) Launch Windows Movie Maker
b) Go inside Tools -> Options menu
c) Make sure that the encoding setting is set appropriately. If you are in tjhe US or Japan it should be NTSC, but everywhere else it should be set to PAL.
d) Set the aspect ratio to 16:9 because if that is the format you have been recording in.
e) Click OK and you are set.
f) Select "Import..." and bring in your original Canon video file (renamed in .MPG) and the video file will look great.
If missing you may want also to download and install an updated AC3 Codec.
If you just want to play back .MOD video files on your Mac simply rename them as .MPG or .MV2 and you should have no problem in opening and viewing your video clips in VLC or Quicktime.
Unfortunately it appears that to edit or work with these files Mac users have a little more trouble to go through to get their MOD files into their favorite video player.
The .MOD video files are modified MPEG-2 files with audio in a non-standard Dolby 5.1 Surround Sound setup which Final Cut Pro, iMovie and most other Mac video editors cannot import natively.
"...the .mod files produced by the camera are muxed MPEG-2 files with the audio mixed in a non-standard Dolby Digital Stereo setup. This causes the video to be played (when renamed to .MPG) correctly in QT (and QT Pro) but no audio is played (although present.) The video has to be converted into a format FinalCutPro (or iMovie) can use natively. The ideal solution would be to edit the native mpeg-2 file without conversion- but this isn't possible with the present form of Quicktime (this may change in the future.)"
Source: CamcorderInfo
For these reasons, Mac users will need in fact to purchase, albeit at a small price, something that will allow them to read properly native MPEG-2 video files.
I have found several alternative solutions on this front.
First, Mac users can take advantage of Streamclip software which will convert the original .MOD files to just about any video file format you may want (but for MPEG-2 support you may be in need to buy the $20 MPEG-2 plug-in for Quicktime from Apple).
alternatively you can try:
or
or
Whichever solution you select, you need then to:
a) Change .mod file extensions to .MPG (and you can delete the .MOI files) (and maybe use xiafunge to batch this process for many files)
b) Get MpegStreamclip (free on the net) or equivalent software and open the .MOD files.
c) Output to DV format for hassle free iMovie and FCP editing. For top video quality, try using the DVCPRO codec.
d) Import files in DV format to iMovie for editing...
By converting the files using Streamclip you'll end up with a 100% DV conversion at the cost of a slight quality loss- nothing too bad maybe 3-5% quality loss.
Another approach I have found goes like this:
a) Convert all the .MOD files in .DV format and save them somewhere.)
b) Open iMovie, create a new DV project, pay attention to choose 4:3 or 16:9 then save it and close iMovie.
c) Go into the saved project folder and open it (see contents). Inside you'll find a folder called media, just drop in all your converted files, close all and reopen iMovie. You'll see that iMovie prompts you that in your recycle bin there are some files...
d) Just recover them and .. it's done.
You can now edit and use your files on your Mac with iMovie.
For those more technically skilled there is also another free road: FFMPEGX. Not intuitive, but positively workable if you know where to put your fingers. FFMPEGX is great for transcoding the original .MOD /MPEG-2 video clips into other video formats.
Those having access to mastering software Toast Titanium can also easily convert .MOD files to just about any video format they want.
On a positive note, for those wanting to simply upload their .MOD video files to a video sharing site, Google Video accepts .MOD files directly for upload and publication, without the need to convert the files into any other format.
By the way... this is a great market opportunity right now, as the number of camcorders and users generating .MOD files will probably increase rapidly, until camcorder producers will decide to standardize on an easier to use video format. Therefore video conversion and encoding services like HeyWatch or video-sharing and uploading tools like TubeMogul have an interesting window of opportunity in integrating support for .MOD files into their services sooner rather than later and make it another strong marketing point and an opportunity for extra visibility on major search engines.
Rapidshare adalah tempat penyimpanan fail-fail yang bersaiz besar. Kebanyakkan fail disimpan disana boleh dimuat turun oleh pengguna. Terdapat dua jenis akaun rapidshare iaitu free account dan premium account. Premium akaun mampu memuat turun fail secara selari [parallel download] apabila memuatturun dengan menggunakan pengurus muat turun [download manager]. Saya menggemari IDM 5.17 atau Internet Download Manager. Biasanya saya suka download fail aplikasi dan movie.
16:9 aspect ratioThe aspect ratio of an image is its width divided by its height.
Aspect ratios are mathematically expressed as x :y (pronounced "x-to-y") and x×y (pronounced "x-by-y"). The most common aspect ratios used today in the presentation of films in movie theaters are 1.85:1 and 2.39:1[1]. Two common videographic aspect ratios are 4:3 (1.33:1), universal for standard-definition video formats, and 16:9 (1.78:1), universal to high-definition television and European digital television. Other cinema and video aspect ratios exist, but are used infrequently. In still camera photography, the most common aspect ratios are 4:3, 3:2, and more recently being found in consumer cameras, previously only commonly seen in professional cameras, 16:9[2][3]. Other aspect ratios, such as 5:4, 6:7, and 1:1 (square format), are used in photography as well.
Converting formats of unequal ratios is done by either cropping the original image to the receiving format's aspect ratio (zooming), by adding horizontal mattes (letterboxing) or vertical mattes (pillarboxing) to retain the original format's aspect ratio, or by distorting the image to fill the receiving format's ratio. Cinematographic aspect ratios are usually denoted as a decimal fraction width to unit height, while videographic aspect ratios are usually denoted by ratios of whole numbers.[citation needed]
Merupakan seorang Guru Penyelaras Bestari dan juga mengajar matapelajaran Fizik dan ICTL di SM Sains Kuala Selangor. Mempunyai hobi Radio Amatur dengan callsign 9M2IBR dan juga meminati fotografi dan video editing untuk youtube.
